The stars are in our belly; the Milky Way our umbilicus.
Is it a consolation that the stuff of which we’re made
is star-stuff too?
– That wherever you go you can never fully disappear –
dispersal only: carbon, hydrogen, nitrogen, oxygen.
Tree, rain, coal, glow-worm, horse, gnat, rock.
Sunday, 3 July 2011
leaving only ripples...
I'd noticed the small fleet of these gorgeous open canoes moored up on Bow Creek many times in my walking around here, and on my last visit I bumped into Phil, who, I discovered, owns them and hires them out. My idea was met by the poets with enthusiasm from some of them, resistance from others, and a mix of enthusiasm and trepidation on the part of a couple of poets.
Anyway, we set out on yesterday's perfect early dusk – a dream of a hot summer evening – on a dropping tide, with a dropping wind and mullet jumping, down the creek to the Dart proper, under the steersmanship of Phil, himself a poet.
How good to be swinging this paddle on this dropping tide, evening sun on my back and the river's face scaled with shifting starry freckles and these people with me paddling in tune, the rhythm of us as one to the metre of the river's poem, faces now glimmering with riverlight as are the stone banks and the creekside trees, the quivering of light shed from the heart of our solar system
water spilling through the valley
like laughter, like larksong through air
an unfurling dream of water
sparks playing on the water as we will later be conjuring sparks on the land from flint and steel on the riverbeach to light our fire of sweet chestnut twigs
shelduck and ducklings picking through samphire and bladderwrack
a juvenile swan, cruising, leg hiked over back
and a stand of young elm soon for the chop of the birchbeetle says Phil
a trio of cormorants like dusty umbrellas pitched up in that oak
just below the white egret's crowning
and the beach, wind easing, sun high (seven o'clock, hot hot hot)
and the red South Devon cattle nosing the tideline
Phil teaching the art of firelighting with flint
kettle on the boil and
and the stream of moments – how to fix riverlight and water and weed and birds and the pulling-together of us all for a water dream and how to find a way to spill silence
it's hard to imagine another kind of evening, now says Jane; and how can we not agree
and floating on the edge of it all on the upcoming tide
Miranda with her red hull and blue Celtic knotwork swirls
sun-dazzle in my face
and behind us this forest, unmanaged says Phil for 15,000 years
bordering what was a deep gorge, a sea-gorge 160 feet lower than now, than the Dart
and the wild things that lived then: bear, a little straight-tusked elephant,
possibly hippopotami, wolves, and the sabre tooth tiger
whose birthing cave we glide by later, under tree overhang
and now this one small waterbird homing
skimming the river
and this indescribable light
and the way we can't sing our First Nation paddling song in a round for laughing
and what flows between us all now –
the way it can be
the way the river flows
leave only ripples, says Phil
- ► 2016 (88)
- ► 2015 (78)
- ► 2014 (123)
- ► 2013 (157)
- ► 2012 (199)
- lughnasadh: John Barleycorn must die
- hayfields, horse-dung & blossom
- speaking of now
- architecture of a wasps' nest
- political extremism and acts of hatred
- pool, your life as a novel, wildlife, Bly on poetr...
- being another syllable
- never mind cleansing the doors of perception - bre...
- and then there are other days
- there are days...
- that tricky axis: intimacy & solitude
- Zen & the art of motorcycle maintenance take two
- a book blog: Jason Kirkey; and A Printmakers' Poet...
- notes from the courtyard
- the inland sea behind us
- the waters before
- ego, the wild, the west & a hornets' nest: Part 11...
- ego, the wild, the west & a hornets' nest: Part 1
- the crucible of the garden/hortus conclusus
- heaven's breath
- not a poem about sex
- summer day writing courses
- what is poetry for? & poetry as cultural therapy
- leaving only ripples...
- ▼ July (27)