Saturday 14 November 2015
I’d been doing a lot of nothing – hours gazing at all
three species of sparrow come for crumbs on the chill
flagstones; watching the bare limbs of ash jubilate
at the play of breeze in their topmost twigs, where
a clump of keys does a good job of miming ‘blackbird’.
Or I guess this is nothing; after yesterday I suspect
it may instead be everything. I’m still alive: earth
beneath my feet remains solid; no mesh has simply
let me fall through as if my life doesn’t count.
Winter broke today; winds reared above the hills
and trampled their way through the forest.
Though the morning was blue, the cold had come in.
We didn't want to stay cocooned in our Britishness
but didn’t know where to go either. We’d wanted
a day out, but not this way. It was a comfort, though,
to visit that dolmen, Ti Ar Boudiged; to track the slender
tensile thread of continuing humanity back 5000 years,
to remember that we don’t have to forget. It was
a comfort to talk to the living, Bretons and French
alike. So when we met the man at the gusty top of the hill
we spoke of everything else: the chapel, the land,
the Breton language, the nuclear power station
at the edge of lake and what a strange marker
it is on the earth-current alignments below us,
of how Louis Quatorze trashed the woodland to make
his warships. Then we were silent and I didn’t know
how to speak of what had happened because
how can you say ‘I’m sorry’ in the face of the scale
of it all? But I said it’s a hard day for France
and he smiled grimly or perhaps sadly and nodded
and looked away, and I liked his dignity and that we
two strangers had shared a conversation across borders.
I can’t believe it’s right to make poems from others’
misfortunes, though I know we too need release.
So this is not a poem about tragedy, but about the living.
And it’s about how at the top of Mont St Michel,
not the island one but the one in the Monts d’Arrée,
where the dogs were buffeted nearly off the side
of the slope, a storm so fierce I couldn't see
blew us empty from the inside out.
© Roselle Angwin 2015
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